1/6/2024 0 Comments Bond thumper bambi![]() Not to call Sir Sean's stage-fighting into question, Bond seems to do little to resist being hurled into Lautner's D-shaped pool. In the high-kicking action that follows, the duo certainly make the most of the Elrod House's generous dimensions.īambi backflips across the cream rug - goat hair, naturally - while Thumper cartwheels around the angular furniture, giving viewers a chance to take in what would have been considered the cutting edge of late-60s interiors.Īs the fight nears its climax and a woozy Bond grapples with his attackers, Bambi and Thumper exchange a devilish glance and launch him out of the retractable windows. The 1971 scene opens with a bikini-clad Thumper sprawled across one of these boulders as 007 creeps in, before she slinks to the floor, purrs at the spy - and promptly knees him in the groin. Instead the designer told his men to dig deeper still, working the rocks into his blueprints, bringing the outdoors inside and adding yet another of the distinctive plus points that would one day draw in Broccoli's location scouts. The desert sun pours in through wedge-shaped skylights cut into the domed ceiling, which was intended to protect the house from the punishing heat.įor fans of the series, this striking central feature will bring back memories of Bond looking only mildly displeased as Bambi dangles from the ceiling, choking him between her bare thighs.īeneath the canopy, 50ft of curved glass curtain walls slides away at the touch of a button to reveal the Californian landscape - not to mention the curved swimming pool and outdoor dining area with stunning mountain views.Īccording to Voices of East Anglia, when Lautner was preparing to build the masterpiece his workmen unearthed two huge boulders underneath where the foundations were supposed to lie - obstructions that might have deterred a less adventurous architect.Ĭutting edge: Many modern architects consider the famous Elrod House to be a prime example of space-age design He really talked through each of the scene's sections, with both Sir Sean & myself, as if we had worked together before.Adventurous design: When builders unearthed these huge boulders on the site, architect John Lautner simply incorporated them into this unique homeĪt the heart of John Lautner's design is a sunburst-shaped concrete canopy, suspended over the 60ft-wide living room in which Sir Sean's Bond takes a beating. ![]() What a joy & an honor, to have worked with such a great director. Sir Guy was the best (I wish he and Sir Broccoli, were still with us, so I could have seen them again). ![]() The 3rd was the dance! I just showed them my own choreography, of different karate and strong dance movements.ģ- What was it like working with director Guy Hamilton? The 2nd was the screen test, I had to do a scene on camera. The first, an interview with Sir Broccoli and about 6 others at a round table. ![]() Interested in seeing me for the role of 'THUMPER'. I was called by my agent Marty Klein, who was called by the 'James Bond' producer, Sir Cubby Broccoli. Lola & I didnt decide what we were to do, just elaborated on our sections, if possible & of course with Sir Guy & Sir Broccoli's approval.Ģ- Do you have any interesting anecdotes to share about the casting or filming? He asked me to show him some dancing moves (he not being a dancer) but knew what Bambi's moves were, because she was in the air mostly and my moves were mostly grounded. We only worked with the stuntman who, almost like a choreographer, went through every section of moves we were to do. The scene was, of course marked out for us beforehand. I especially was trained and then danced in the KATHERINE DUNHAM'S Haitian based technique company which is where I also studied the Haitian Karate. I was casted because I was/am/have been a dancer since I was 6yrs young. Did you and Lola Larson choreograph it together? A big thank you to her!ġ- You pace and move like a tiger in your scene, moving at fast and slow speeds. Does Ms Parks have any amusing or interesting anecdotes to share about the filming or casting on DAF?īelow are Ms Parks' answers. How long did that scene in DAF take to shoot? There is the actual fight itself, but there is also the scene with yourself and Donna Garrett being dunked in that pool.ĩ. Is it true you knew Sammy Davis before he appeared in a deleted DAF scene?Ĩ. You pace and move like a tiger in your scene and move at slo-mo and fast speeds. Tell us about your music and dance background?Ħ. What was it like filming in the Elrod House?ĥ. What was it like working director Guy Hamilton?Ĥ. Could you comment briefly on how she went about choreographing the sequence with Lola Larson, how long did rehearsing the scene take and did she and Lola have any input into the scene?ģ. I'll do it myself if I have to, but I'd rather it was a group activity- any ideas?ġ. We have 9 questions (so far, still time for more) which we have to whittle down to 3.
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